Internalized Combustion

October 15, 2011 in Artist, artists, Ceramics, In The Studio, jewelry, Uncategorized

I was first introduced to Saggar Firing by Steve Smith of the Four Corners Gallery and Smithworks Studio in response to a desire to create porcelain or stoneware pieces for a necklace that didn’t require glaze.  I wanted a beautiful rich color that was incredibly strong, lightweight, and unique.  Initially I had thought Raku would be the direction for these pieces but after determining the lower heat would not produce a strong enough piece and listening to the description of Saggar Firing, I was determined this was the way to go.

Over the last year or so I’ve tested this concept and design several times.  Finally, after hours of playing I’ve developed a technique and a finished design that conveys everything I wanted:

  • Femininity of character
  • Strength both literally and figuratively
  • Bold Style
  • Tribal sensibility

Steve’s initial description of the process intrigued me on a level even beyond the technical firing aspects.  When Steve is passionate about something, you read that passion in every nuance of his presentation.  He leaned in close.  Using his hands and in a low voice he described gently burying the spears of porcelain in fine sawdust inside a worn looking pot with a lid.  Once all the pieces are buried, the lid is placed on the container and it is placed into the kiln to be fired.

It is what happens inside that lidded jar that intrigued me so and still, two years after my first Saggar Firing continues to capture my imagination.  The environment is lacking oxygen because of the lid.  The combustible materials smolder and fume, turn to carbon.  The black carbon is attracted to the pure white porcelain and infuses itself, forming a bond that is as permanent as it is beautiful.

His low voiced description of this process started my wheels turning.  This process sounds like the same process that has happened inside my head for years.  There are so many thoughts, issues, concepts that I clamp a lid down on tightly, place them away from the light in order to ignore them so I can go about my day.  In this dark place the ideas smolder. The dark residue attaches itself to my innocence.  The pure whiteness is gone but what remains is stronger and equally beautiful.

The necklace itself if comprised of these porcelain or stoneware spears interspersed with and suspended from freshwater pearls or, which I like to think of as pearls of wisdom gained through years of experience, and gemstones representing all the people in my life that have sparkled and danced with me.

Raw Love

June 15, 2011 in Ceramics, In The Studio, jewelry

The Princess Bride is one of my top 3 favorite films of all time.  The line, during the wedding where the vicar with a speech impediment says “WUV.  Twue wuv.  That bwessed awangement.  That dweam, wivvin a dweam…”  It makes me giggle EVERY TIME.  I often watch or, more accurately, listen to movies on Netflix while I work late in the studio.
Now that Brandon Knott has moved into the studio, creating pottery every day, the itch to get my hands in clay has been insatiable. The texture of the clay, when it comes out of the kiln after the first firing, is one of my favorites.  Playing with shapes and how they will relate to the human body when the pendants are worn is a constant challenge and more than half the fun.  Listening to The Princess Bride in the midst of making jewelry has led to the Raw Love pendant.
These pieces are rolled, cut, stamped, bisque fired then I stain them, wipe off as much of the color as possible leaving deposits of the color and finally fire them in the glaze kiln to approximately 2200 degrees.  The pendants are light weight and durable.
Personalize your Raw Love pendant with a date or name on the back.  Just let me know what you need on the back at the time of purchase and I’ll customize it for you.  Custom work requires 1-3 week lead time.  They make a terrific gift for bridesmaids, birthdays, anniversaries, etc.

You can purchase this item in the shop in Downtown Defiance or at our Etsy Shop here!

$14

Carboncicles

January 14, 2011 in Artist, Ceramics

Fascination with the charcoal embers remaining at the end of a good bon fire has influenced a jewelry design that’s rattled around inside my brain for a good eight years or more.  Unfortunately, I just wasn’t sure what to do with the idea, how to make it a reality with not only the desired texture, but also the durability required for jewelry that is meant to be worn, not just admired in the box.

On the same track, though it may not seem so at first, I have oodles of pearls.  Freshwater pearls in a plethora of colors, sizes and textures.  My idea is to create a stalactite form in a carbon-like texture that drips from between the delicate sheen of the pearls.

A year or so ago, Steve Smith of Smithworks Pottery Studio suggested Saggar Firing as an option for some of my small projects.  This is a process in which a lidded container is filled with saw dust, the clay pieces are inserted completely into the saw dust and fired in a kiln  inside this covered container.  The lid on the container keeps the sawdust from combusting because there is little oxygen.  The heat from the kiln turns the sawdust to charcoal permeating the clay with the smoky, carbon goodness.  The texture and composition of the sawdust changes the color and texture of the finished piece lending itself to the serendipitous nature of my work.  Last week he offered to fire a batch for me. [big grin]

This first batch of carboncicle necklaces are a richly delicate matte finish.  The juxtaposition of sheen and texture begs for the necklaces to be touched, handled and worn.  The temperature of the kiln firing and the structure of the porcelain afford the pieces enough stability to be long-wearing as jewelry while still retaining a light weight.

Finally, after years of trying to figure out how to execute the idea, I have been able to play around with the Saggar Firing and complete four small necklaces in the desired style.  Now that I know the idea works, I’ll play more with the sizes and shapes of the porcelain pieces and choose a variety of pearls and gemstones to accent the cicles.  I want porcelain pieces that are textured and layered and hooked together with bits of wire…my mind is racing and I can’t wait to sit down with my bag of porcelain and begin playing.

Away too long

June 9, 2010 in Artist, artists, Ceramics, Etc., Uncategorized

I am the first to admit it, I have been away too long.

In the midst of expanding our assortment of artists, preparing our home for sale, packing the remainder of my studio at home, and traveling for a large project I’ve had hundreds of ideas to post about.  Tomorrow always seems to be the day to share my ideas since right now is so busy.  By tomorrow the fleeting ideas have disappeared and new ones have taken residence in their place.

Today turned my tide of silence.

Something monumental happened in the studio.

My studio assistant, Cody Gardner, carved out a couple hundred square feet of space and set up his ceramics studio.

New adjustable shelving, his almost new Clay Boss wheel, rigged up lighting, and considerably more organization than I expected have all come to fruition.  Tonight Cody threw his first pots in his new studio.  Sure, he’s made some in the back room amidst the piles of flotsam and jetsam.  Now, however, Cody has made his first pieces in his own studio, the space in which everything is where he wants it rather than where he’s told it should go.

A couple of high fives and excited exclamations not fit for polite ears later, we celebrated with a gigantic pitcher of jasmine green tea (granted, Joel was celebrating with a mug full of Victory Hop Devil Ale as he’s not so much the jasmine tea type of guy).

Joel and I watched as Cody quickly made a couple pots and mugs.  He makes the process look effortless all the while explaining why he is doing each step.

Never have I suffered under the delusion that ceramics are an effortless art.  Let me get that out right now.  It requires strength, determination, and an immense amount of control.  This is why I’m always so impressed with the artists able to make it look like it’s as easy as breathing.

Tonight was the night I learned exactly how strenuous an activity it is.  After demonstrations, coaching, and I fear a few disappointed shakes of his head Cody began teaching me to center a ball of clay on the wheel.

All the art instruction and experimentation I’ve gone through over the decades this is one process I’d never touched.  Since high school I have wanted to make something on the wheel but it never aligned properly with my schedule.  Tonight Cody opened the door, I stepped through, and now I need a dozen aspirin.

Petite and delicate are two adjectives that haven’t been used to describe me since early childhood, if ever.  Lame and pathetic are more to the point than I had hoped though. My task for the evening was to “get the feel for centering the clay on the wheel”.  It takes every muscle in my body.  I fear my body will reveal muscles I had forgotten about.  After approximately 15 balls of clay that centered with varying degrees of success I think I have the feel for centering the clay.  (Tomorrow will tell if it was a fleeting glimpse or not.)

Once I felt comfortable centering a tiny ball of clay I began the process of forming the clay into something functional.  All but one of the next 15 attempts turned into “flowers”, amorphous sea creatures, and flat out disasters.  I managed to shape one simple ball of clay into a bowl-like shape.

Starting at 10:30pm it took until 3:00 am to have a form worth taking off the wheel gingerly rather than dumping it unceremoniously into the 32 gallon trash can of recycled clay.

If you’re a potter, pay no attention to this madness.  You know what it was like your first time.  Ignore the details and the finishing.  It’s my first night. The lessons haven’t progressed to that point yet.

If Cody allows me to fire it because it has somehow escaped what I consider to be an inevitable flaw that will risk damage to other items in the kiln I may potentially have a functional bowl. Sure I’ll need my newfound strength to lift the heavy thing as it isn’t the refined thin walled bowl of the pros, but a bowl it is.

My bowl isn’t quite big enough for cereal or ice cream really.  It may hold some berries.  Better yet, maybe I could use it as an ashtray.  I could call it Frank.  No one’s ever used their first bowl as an ashtray named Frank before have they?

Speaking of ashtrays…I wouldn’t mind one of Joel’s ales and a good cigar right now but instead I’m going to tuck in for what is remaining of the night.  After I find that bottle of aspirin and my freezer pack for my aching shoulders that is.

Extra kudos to all the amazing potters I know who show their works here and elsewhere.  My love and admiration of your work has now expanded into an even deeper respect for your strength and control.  My morning coffee will be infused with the knowledge of the strength that went into its making.

Spring Fever

March 15, 2010 in artists, Ceramics, Favorites, Fiber, jewelry, knitting, Uncategorized

Button Rings-12

With warming weather making an appearance, I’ve started leaving the front door to the shop open as much as possible.  The fresh breezes and happy faces coming through the open door have inspired me to do some much needed spring cleaning and rearranging.

New Button Rings are ready to wear in bright spring colors.  New pottery by Brandon Knott and Cody Gardner is coming in every week.  Terrific Easter Basket goodies are flooding the counter and Clearance items are filling the back shelves awaiting a new home to make room for more new work here in the shop.

My current fiber projects have me thinking spring too, from the chicken egg cozies to reversible market tote bags in brilliant colors.  You can knit your own chickens too!  A whole slew of new lip balm flavors and lip balms in mini tubes grace the shelves awaiting a new home in your purse, pocket, or easter basket.  Mini lip balms are only 3 for $5.

chicken-5

New tea blends have arrived and we’ve restocked the Peach tea and Peach decaf.  New flavors include Strawberry White Loose Leaf Tea with bits of freeze-dried strawberries, Chamomile (tea bags), Spearming (tea bags) and Yerba Mate (loose leaf).  A basket full of new tea cups from Brandon Knott for $5 each and several new tea pots from Cody Gardner make a lovely treat for yourself or a loved one.

Chino Glaze-1

minicups spoon rest-20

raspberry tea

If, like me, you’re cleaning and rearranging at home, several new paintings and photography are available and a new variety of accessories to adorn your home.  Even if you’re looking for just a little “pick me up” we have something for every room.

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Even Joel has been bitten by the Spring Fever bug and has begun cleaning out the 2nd floor studio/classroom and hopefully by the end of spring we’ll be able to start offering classes!

Fall has arrived

September 25, 2009 in Artist, Ceramics

Storefront Window Fall Leaves 1

Crisp fall air is wafting gently through the store.  New artwork is arriving weekly.  Already a new look has started to overtake the shop.

Many new items are here and several items are on sale for this weekend only.

Brandon Knott’s Mugs normally $15 are only $12 for this weekend only.

mugs

Rebecca Sweinhagen’s Gemstone earrings are normally $15 now only $10 for this weekend!

We have Incense!  10 sticks or cones for $1.  Hand Made in the U.S.A.

incense

Get them while before they’re gone!

Hours:
Monday – Friday 11am – 7pm
Saturday Noon – 7pm (extended hours for the Rib Fest)

Wearable Porcelain

May 24, 2009 in Ceramics, Design, Earrings, Etc., jewelry

Porcelain Earrings

The tactile elements of ceramics have always intrigued me.  It’s a medium I’ve had a desire to explore for decades, yet somehow, never managed to do.  Until now.

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